Sunday, October 30, 2011

Sula 1st half by Narolyn Mendez


Narolyn Mendez
Sula

            Reading a novel by Toni Morrison is similar to being a detective in how you have to search for the meaning that is attached to a sentence or passage. Sometimes you’re forced to read a passage or sentence multiple times because of the complexity and significance her analogies and metaphors carry. They’re filled with so much meaning that so much is intended without blatantly saying so. Morrison uses adjectives to describe a scheme of feelings, situations, relationship and people in ways that are almost unimaginable. While reading Sula, Morrison’s unique style and one of a kind and uncommon descriptions by way of adjectives and analogies is very much evident and dominant from page to page.
At times she presents events that although the reader knows is loaded with meaning is not very clear until further explanation is given. An example of this is Eva’s killing of her son Plum. All the trouble of picking up her own weight and going down the stairs with one leg on crutches does not make any sense until she sets him on fire. Naturally the shocked feeling of how a mother could possible commit such a monstrous act leads way to many questions. A mother is the person that usually is responsible to give a person life and taking it away seems like the drastic opposite.
Plum’s drug addiction did not make him the ideal son that every mother wanted to have but it did not make him a necessarily bad person either. Many say that there are not many things that can compare to a mother’s love, because of how immensely deep and unconditional it is. Killing seems to exemplify the opposite of what love is, usually an act of hate that spews from deep dislike and threat. Although this is predominantly the negative connotation that is associated with killing, it might be an act of love also. Eva gives Hannah a very emotional explanation when she says, “ After all that carryin’ on, just getting’ him out and keepin’ him alive, he wanted to crawl back in my womb and well…I ain’t got the room no more even if he could do it.” (71). Eva obviously loved her son very much, the way any mother loves her son or maybe even more, and how she cared for him in the beginning of his life is evident of this. The passage speaks to how Eva loved Plum so much that she just could not bear to watch him grow dependent on her all over again because of his addiction to drugs.  His dependency made him a child all over again in her eyes and she had raised a man with dignity and respect. Plum’s actions demonstrated the opposite of this and so it was heart-breaking for her.
            Eva never stopped loving her son, but some things are not matters of the heart and love is not always blind. She states,“I had room in enough in my heart, but not in my womb, not no more.”, which is proof of this ( 71). It seems that she looked at her son and recognized all she had ever given him in love and life had gone to waste and since she had given him the beautiful gift of life, she also had the power to take it away. She had the power to take him out of his misery that she much less than he, had the ability to accept.
Although all of this might be Morrison’s intended meaning, it is one that is hard to agree with. It’s hard to say if killing out of an act of love is actually helpful for someone like Plum that was an addict. It would have been easier to recognize how much love was in the act if Eva would have tried to intervene with his problem or had tried different solutions to get him sober. Her insistence would have spoken clearly to the reader, but killing is such a drastic alternative that it is hard to see just how much love Eva, as a mother had for her son.

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